| Music is a gift, and finding a suitable piano teacher to | | | | with the performance component on completion of a |
| aid the discovery and appreciation of this magical gift is | | | | full-time undergraduate course at music conservatoire |
| no easy task. Whether the piano student is a beginner | | | | or other higher education establishment", i.e. Bachelor of |
| or already doing advanced studies, having a | | | | Music Degree in Piano Performance. The FRSM |
| responsible, qualified piano teacher is very important. At | | | | Performance and FTCL Performance are diplomas in |
| the beginner level, a piano student's musical and | | | | which the "standard of performance is equivalent to |
| technical foundations are imprinted. At the intermediate | | | | the performance component on completion of a |
| level, a piano student's musical and technical | | | | full-time postgraduate course at a conservatoire or |
| foundations are further developed and strengthened. | | | | other higher education establishment", i.e. Master of |
| At the advanced level, a piano student is guided | | | | Music Degree in Piano Performance. |
| towards developing into an independent musician and | | | | However, the diplomas and degrees are only |
| thinker/interpreter. Therefore, at all stages of a | | | | approximate equivalencies because in a degree |
| developing piano student, having a good piano teacher | | | | program, unlike in a diploma, the student has multiple |
| is of utmost importance. Some basic factors that | | | | recitals and performances, devotes entire years of |
| constitute a good piano teacher are qualifications, | | | | education not just to practicing and memorizing a |
| personality, and teaching experience. These three | | | | variety of music, but also taking a variety of supporting |
| basic factors will be explored below, in this article. | | | | courses in history, theory, accompaniment, pedagogy, |
| Common Qualifications of Piano Teachers in | | | | et cetera. A Bachelor, Masters, Doctorate in Music is |
| Singapore | | | | equivalent in depth of study to a Bachelor, Masters, |
| First, I would like to address the issue of the different | | | | Doctorate in, for example, Chemistry. |
| array of common musical qualifications for piano | | | | Besides these common qualifications that a piano |
| teachers in Singapore, which is usually taken into | | | | teacher in Singapore may have, there are also the |
| consideration when choosing a piano teacher. In | | | | pure musical geniuses and amazing masters out there, |
| Singapore, there are two main external musical | | | | with plenty of international performing and teaching |
| examinations boards, where piano teachers may | | | | experience, defying categorizations! |
| obtain their diploma qualifications beyond Grade 8: | | | | Personality and Teaching Experience |
| Associated Board of the Royal Schools of Music | | | | In selecting a piano teacher, other important factors to |
| (ABRSM) and Trinity Guildhall (Trinity). In the ABRSM | | | | consider are personality and teaching experience. |
| syllabus, the three levels of diploma study commonly | | | | Patience is an important characteristic for those in the |
| taken by piano teachers, in order of ascending | | | | teaching profession, including piano teachers. It is good |
| qualification, are: | | | | to have a dedicated piano teacher who is strict in |
| 1. DipABRSM Performance | | | | musical expectations and requirements, but warm in |
| 2. LRSM Performance | | | | personality, so that the student will progress musically, |
| 3. FRSM Performance | | | | and yet is able to communicate with, and feels |
| Similarly, in the Trinity syllabus, the three levels of | | | | comfortable expressing his/her own ideas/opinions to |
| diploma study commonly taken by piano teachers, in | | | | the teacher. Hitting of the student as a vent by a |
| order of ascending qualification, are: | | | | frustrated piano teacher is absolutely unacceptable! |
| 1. ATCL Performance, or ATCL Recital | | | | However, it is important for the student's parents to |
| 2. LTCL Recital | | | | work hand-in-hand with the piano teacher to cultivate |
| 3. FTCL Performance | | | | discipline and attentiveness in a child. Discipline and |
| Besides the performance category for each syllabus, | | | | attentiveness are characteristics important for |
| there is also the teaching category, whereby the | | | | progress in any subject of learning, including piano. A |
| candidate focuses mainly on piano pedagogy. The | | | | piano teacher should function as a friend, as well as a |
| expected standard of piano playing for each level of | | | | mentor, working on a long-term goal of developing the |
| qualification is naturally higher in the performance | | | | piano student ultimately into an independent musician |
| category, as compared to the teaching category. In | | | | and thinker. |
| general, as a piano teacher, one must thoroughly | | | | Needless to say, teaching experience for a piano |
| understand the music or the material being taught first, | | | | teacher is also important. However, the quality of |
| before exploring the techniques of teaching. Therefore, | | | | teaching is as important or in some ways more |
| some piano teachers choose to obtain additional | | | | important than the amount of teaching experience a |
| teaching diplomas of the same level after obtaining the | | | | teacher has. |
| performance diplomas. | | | | In Conclusion |
| Aside from these ABRSM and Trinity diplomas, piano | | | | To conclude this article, having found a qualified and |
| teachers may instead have degrees such as Bachelor | | | | good piano teacher, dedicated to developing the |
| of Music, and Master of Music, and Doctor of Music. A | | | | student's musical abilities, it is best to trust the piano |
| frequent question asked is: How do these degrees | | | | teacher, and stick to one piano teacher for some time |
| compare to the diplomas? | | | | as oppose to adopting the "teacher-hopping" |
| According to the examination boards, the DipABRSM | | | | philosophy, which seems to be a trendy phenomenon |
| Performance, ATCL Performance and ATCL Recital | | | | in the Singapore tuition world, whereby a tuition student |
| diplomas are approximately equivalent in standard to | | | | has different teachers every few months. By |
| the "performance component of the first year in a | | | | entrusting the student's piano education to one piano |
| full-time undergraduate course at a conservatoire or | | | | teacher for some time, there will be a sense of |
| other higher education establishment." The LRSM | | | | continuity and purpose in the piano student's journey |
| Performance and LTCL Recital are diplomas in which | | | | towards achieving a long-term musical goal and dream. |
| the "standard of performance is at a level comparable | | | | |